Blasphemous vinyl record album cover with black records partially visible behind it. The square album art features a red abstract background with a pale figure in ornate gold armor holding a weapon, and the text "Blasphemous II" is prominent in the bottom left middle.
The Blasphemous II 4LP set is spread out on a white background, showing the front and back of the box and all the fronts of the inner sleeves and discs/ The box art is red with a pale figure on the front and the inners are all dark dreary illustrative settings. The discs are black.
Blasphemous vinyl record album cover with black records partially visible behind it. The square album art features a red abstract background with a pale figure in ornate gold armor holding a weapon, and the text "Blasphemous II" is prominent in the bottom left middle.
The Blasphemous II 4LP set is spread out on a white background, showing the front and back of the box and all the fronts of the inner sleeves and discs/ The box art is red with a pale figure on the front and the inners are all dark dreary illustrative settings. The discs are black.
Very Ok Vinyl

Blasphemous II

Pre-order $158.00 CAD
Description Shipping Policy

This is a distribution release courtesy of Laced Records.

ETA Q2 2027

The Miracle gives birth to a new child, as The Game Kitchen and Laced Records bear forth the hallowed soundtrack for Blasphemous II on blessed vinyl.

All music has been specially mastered for vinyl and will be pressed to heavyweight discs. The first three discs cover the complete base game OST, while the final disc contains curated selections from the Mea Culpa and The Third Sin DLC soundtracks. Bespoke slipcase cover artwork is by illustrator Álvaro Jiménez, while inner sleeve artwork is by The Game Kitchen's Jesús Campos "Nerkin". The music of Blasphemous II does more than just colour the setting: it breathes life into it. Rousing marches, elegiac laments, and processional dirges echo out from crumbling cathedrals and across blasted landscapes, creating the sense of a world that feels truly lived in. Throughout, composer Carlos Viola filters his own experiences of visceral Flamenco performances and devotional music through the lens of gothic fantasy. "Corona de Siete Azahares" soars from the parapets of high towers, buffeted by dueling guitars and propulsive snare rolls. "Del Santo Nombre" in contrast provides a moment of quiet introspection, forlorn piano melodies creeping across flagstones while looming strings cast long shadows. Perhaps the most surprising moments come in the form of Viola's choice of boss fight themes, for instance with the Lynchian ambience of "Cante Desde Lo Profundo"; or the ever-increasing percussive intensity of "Súbita Caligrafía de Plata".